Part 1 www.youtube.com Rejoice, be glad, O you blessed souls, Rejoice, be glad, Singing sweet songs; In response to your singing Let the heavens sing forth with me. The friendly day shines forth, both clouds and storms have fled now; for the righteous there has arisen an unexpected calm. Dark night reigned everywhere [before]; you who feared till now, and joyful for this lucky dawn give garlands and lilies with full right hand. You, o crown of virgins, grant us peace, console our feelings, from which our hearts sigh. Alleluja EP Hi res version www.elizabethparcells.com 2005 interview Elizabeth: As a recording, this is the best one on the site. The Motet is so standard. Every soprano who gets to a certain technical level is going to do it. It's the only Motet Mozart wrote for soprano and small orchestra with no chorus or other soloists. This can be put on a recital with piano. Charlie: How many times did you perform it before you got to the occasion of this recording? Elizabeth: Lots. This orchestra was flawless. It isn't that the Motet goes that well every time. You get lucky. You've got the right venue, you've got the right conductor, a fantastic orchestra. I was hot that night. Then it all comes together. The only flaw I can hear on that tape is when somebody in the audience coughs but the audience adds something because it's them you are bouncing it off. It's not like a straight recording. The reason this one is great is because it is live. We did it in one wash, there ...
Friday, July 20, 2012
Mozart Exsultate, Jubilate Part 2--Elizabeth Parcells
Mozart Exsultate, Jubilate Part 2--Elizabeth Parcells Tube. Duration : 8.13 Mins.
Part 1 www.youtube.com Rejoice, be glad, O you blessed souls, Rejoice, be glad, Singing sweet songs; In response to your singing Let the heavens sing forth with me. The friendly day shines forth, both clouds and storms have fled now; for the righteous there has arisen an unexpected calm. Dark night reigned everywhere [before]; you who feared till now, and joyful for this lucky dawn give garlands and lilies with full right hand. You, o crown of virgins, grant us peace, console our feelings, from which our hearts sigh. Alleluja EP Hi res version www.elizabethparcells.com 2005 interview Elizabeth: As a recording, this is the best one on the site. The Motet is so standard. Every soprano who gets to a certain technical level is going to do it. It's the only Motet Mozart wrote for soprano and small orchestra with no chorus or other soloists. This can be put on a recital with piano. Charlie: How many times did you perform it before you got to the occasion of this recording? Elizabeth: Lots. This orchestra was flawless. It isn't that the Motet goes that well every time. You get lucky. You've got the right venue, you've got the right conductor, a fantastic orchestra. I was hot that night. Then it all comes together. The only flaw I can hear on that tape is when somebody in the audience coughs but the audience adds something because it's them you are bouncing it off. It's not like a straight recording. The reason this one is great is because it is live. We did it in one wash, there ...
Part 1 www.youtube.com Rejoice, be glad, O you blessed souls, Rejoice, be glad, Singing sweet songs; In response to your singing Let the heavens sing forth with me. The friendly day shines forth, both clouds and storms have fled now; for the righteous there has arisen an unexpected calm. Dark night reigned everywhere [before]; you who feared till now, and joyful for this lucky dawn give garlands and lilies with full right hand. You, o crown of virgins, grant us peace, console our feelings, from which our hearts sigh. Alleluja EP Hi res version www.elizabethparcells.com 2005 interview Elizabeth: As a recording, this is the best one on the site. The Motet is so standard. Every soprano who gets to a certain technical level is going to do it. It's the only Motet Mozart wrote for soprano and small orchestra with no chorus or other soloists. This can be put on a recital with piano. Charlie: How many times did you perform it before you got to the occasion of this recording? Elizabeth: Lots. This orchestra was flawless. It isn't that the Motet goes that well every time. You get lucky. You've got the right venue, you've got the right conductor, a fantastic orchestra. I was hot that night. Then it all comes together. The only flaw I can hear on that tape is when somebody in the audience coughs but the audience adds something because it's them you are bouncing it off. It's not like a straight recording. The reason this one is great is because it is live. We did it in one wash, there ...
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